力晶2024藝文饗宴

阿芙蒂耶娃

鋼琴演奏會．蕭邦雙協奏曲之夜

POWERCHIP 2024 SERIES

YULIANNA AVDEEVA 
A RECITAL AND A CONCERTI NIGHT WITH CHOPIN

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鋼琴獨奏會
3／18 (Mon.) 19:30  臺北國家音樂廳

National Concert Hall, Taipei

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蕭邦雙協奏曲之夜
3／21 (Thu.) 19:30  臺北國家音樂廳

National Concert Hall, Taipei

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 冠名贊助

力晶文化基金會

Title Sponsership－POWERCHIP CULTURAL FOUNDATION 

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尤莉安娜．阿芙蒂耶娃以2010 年國際蕭邦鋼琴大賽金獎榮耀嶄露古典樂壇，自此開啟巡迴世界各地的演奏生涯，以表裡如一的藝術表現迅速地站穩當今頂尖鋼琴家的地位。《每日電訊報》評論她在蕭邦大賽的演奏「精巧細緻，與蕭邦相當契合」；《加利福尼亞日報》盛讚她「精粹等級地令人驚豔」；倫敦《金融時報》評論她「讓音樂有了生命」。阿芙蒂耶娃性情似火、演奏精湛，以力量豐沛、信念真切、權威純熟的音樂獲得樂迷的心。

 

在局勢動盪的疫情之年過後，阿芙蒂耶娃以歐洲各大音樂節的演出展開2021年夏天。她將登上法國拉羅克當泰龍國際鋼琴音樂節、華沙蕭邦協會主辦之第16屆國際蕭邦音樂節《蕭邦與他的歐洲》、安斯巴赫之巴赫音樂節、聖尚德路斯拉威爾音樂節與提契諾阿斯科納音樂節。阿芙蒂耶娃的獨奏曲目亦不斷革新，將在今年的音樂節中帶來巴赫的鍵盤作品（A小調第二號英國組曲、D大調觸技曲、C小調第二號德國組曲），拉威爾《高貴而傷感的圓舞曲》、《悼念公主的孔雀舞曲》與《圓舞曲》，蕭邦的《船歌》與《幻想波蘭舞曲》，拉赫曼尼諾夫降B小調第二號鋼琴奏鳴曲，史匹曼《器械之生》鋼琴組曲與瓦伊貝爾格B小調第四號鋼琴奏鳴曲。

 

阿芙蒂耶娃2021-22樂季活動，開展於2021年九月將與指揮庫倫奇思、西南德交響樂團踏上德國與奧地利巡迴，於易北愛樂廳、維也納音樂廳等音樂殿堂演出普羅高菲夫第三號鋼琴協奏曲。十月，她將首次於維也納音樂廳演出獨奏會，並回到柏林皮耶．布列茲音樂廳。十一月，她將與小提琴家茱莉亞．費雪展開巡迴音樂會，於倫敦威格摩爾音樂廳等地演出蕭邦、史匹曼、瓦伊貝爾格與普羅高菲夫的作品。2022年二月，阿芙蒂耶娃將來到西班牙，與指揮崔維諾與巴斯克國家樂團演出伯恩斯坦第二號交響曲《焦慮的年代》；三月，她將到美國，與指揮霍內克與匹茲堡交響樂團演出拉赫曼尼諾夫《帕格尼尼狂想曲》，並接著與指揮波雷柯及那不勒斯愛樂演出拉氏第二號鋼琴協奏曲。

 

2020年三月疫情封城期間，阿芙蒂耶娃每週於臉書及 You Tube 平台直播音樂會，演奏並討論了巴赫全本《平均律鍵盤曲集》。六十次的直播共吸引了全球近五十萬人次欣賞。

 

阿芙蒂耶娃在亞洲聲名遠播，固定於日本各地舉行獨奏會，並與法國國家土魯斯管弦樂團、日本NHK交響樂團、柏林德意志交響樂團、班貝格交響樂團巡迴日本。2019年，阿芙蒂耶娃加入了BBC逍遙音樂節日本盛會，與蘇格蘭BBC交響樂團與指揮道斯葛共同登台。而在歐洲，阿芙蒂耶娃與波蘭蕭邦協會長期維持良好關係，讓她成為華沙愛樂與波蘭國家廣播交響樂團的常客。

 

阿芙蒂耶娃長期合作的藝術夥伴包括指揮霍內克及馬克．艾爾德爵士與匹茲堡交響樂團、杜達美與洛杉磯愛樂、瑪琳．艾索普與巴爾的摩交響、長野健與蒙特婁交響、亞諾夫斯基與柏林廣播交響、皇家斯德哥爾摩愛樂、瓦西里．佩特連科與芬蘭廣播交響、拉哈夫．沙尼與丹麥廣播交響、尤洛夫斯基與倫敦愛樂、霍內克與捷克愛樂、崔維諾與華沙交響、以及德勒斯登愛樂、巴塞爾交響、克雷默與波羅地海室內樂團、伯明罕城市交響、聖西西里學院樂團、里昂國家交響、雪梨與墨爾本交響、郭特柴爾與讀賣日本交響、聖彼得堡愛樂、莫斯科廣播柴可夫斯基交響（西班牙與義大利巡迴）。

 

而除了固定客席蕭邦音樂節、法國拉羅克當泰龍國際鋼琴音樂節外，阿芙蒂耶娃也以獨奏家的身分活躍於倫敦威格摩爾音樂廳、莫斯科柴可夫斯基音樂廳、德國萊茵高音樂節、薩爾茲堡音樂節、法蘭克福舊歌劇院、漢堡易北愛樂廳、皮耶．布列茲廳、瑞士琉森音樂節、加泰隆尼亞音樂宮、埃森愛樂廳。同時，阿芙蒂耶娃也熱衷於室內樂，定期與小提琴家茱莉亞．費雪、克雷默巡迴歐洲，登上瑞士蘇黎世音樂廳、德國巴登－巴登節慶劇院等舞台。

 

在與十八世紀管弦樂團（Orchestra of the Eighteenth Century）和指揮法蘭士．布魯根（Frans Brüggen）發行蕭邦協奏曲錄音（2013年）後，阿芙蒂耶娃陸續為Mirare錄製了巴赫、莫札特、舒伯特、蕭邦、李斯特及普羅高菲夫的作品（2014、2016、2017年），並與小提琴家克雷默錄製瓦伊貝爾格的室內樂曲目，由ECM Records 發行（2017年）。2019 年，德國DG唱片出版1927 至2010 年最精湛的蕭邦大賽得主系列專輯，阿芙蒂耶娃的錄音即收錄為其中之一。

 

阿芙蒂耶娃自五歲開始學習鋼琴，由莫斯科格涅辛音樂學院的依瓦諾娃教授啟蒙，接著又向薛巴可夫及特洛普學習。在義大利科莫湖國際鋼琴音樂營，她接受納波雷、巴許基洛夫及傅聰的指導。除了蕭邦大賽以外，她還獲得許多獎項，包括2003 年的布萊梅鋼琴大賽、2006 年的日內瓦國際音樂大賽及波蘭比得哥什的阿圖爾．魯賓斯坦大賽。

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本次，新象特邀當今炙手可熱的韓國鋼琴家也是指揮家的-金善昱（Sunwook Kim）擔綱本次指揮。金善昱，於2006年以布拉姆斯第一鋼琴協奏曲贏得利茲國際鋼琴比賽，是該比賽40年以來最年輕的冠軍得主同時也是亞洲人贏得此獎項之第一人。在此決賽中與哈雷管弦樂團 (Hallé Orchestra) 以及英國指揮家馬克·埃爾德爵士 (Sir Mark Elder) 合作演奏的布拉姆斯第一協奏曲獲得了各界一致好評，作為獨奏家，金善昱從此奠定了樂壇地位並享有盛譽，以鋼琴家身份活躍於樂團。演奏而優擇指揮的他，近年亦開始延伸音樂觸角，踏入青年指揮家的行列，2022年8月，金善昱獲邀指揮首爾愛樂 (The Seoul Philharmonic Orchestra (SPO))，慶祝韓國光復節七十七週年，並與澳門樂團 (Macao Orchestra)　以指揮家身份合作演出。

 

樂迷們，切莫錯過這場在冰與火之間追求藝術真締的音樂盛宴。2024年春日，即將瑰麗綻放。

 

Hailed by The Daily Californian as “a spectacle of pure class,” and by The Financial Times as an artist who is "able to let the music breathe," Yulianna Avdeeva gained worldwide recognition since the 2010 Chopin Competition, where she won First Prize with a “detailed way of playing” that “matched Chopin’s own” (The Telegraph). A pianist of fiery temperament and virtuosity, Avdeeva plays with power, conviction, and authority, having won over audiences all over the world.

 

Following a tumultuous pandemic year, Yulianna’s summer 2021 includes several European festivals: La Roque d'Antheron, Fryderyk Chopin Institute's 16th International Festival Chopin and his Europe in Warsaw, Bachwoche Ansbach, Ravel Festival Saint-Jean-de-Luz, and Settimane Musicali in Ascona. Her repertoire for which includes a Bach program (English Suite No. 2 in A Minor, Toccata in D Major, and Partita No. 2 in C Minor); Ravel's Valses nobles et sentimentales, Pavane, and La Valse; Chopin Barcarolle and Polonaise-Fantaisie; Rachmaninov Sonata No. 2; Szpilman's Life of the machines suite; and Weinberg Sonata No. 4.

 

Her 2021-22 begins with tour in Germany and Austria with Teodor Currentzis and SWR Symphonieorchester in September 2021 - including Elbphilharmonie Hamburg and Konzerthaus Vienna - playing Prokofiev Concerto No. 3; a Recital Debut at the Konzerthaus Vienna, a return to Pierre-Boulez-Saal Berlin in October 2021, and a Recital Tour in Europe with Julia Fischer in November 2021 (including Wigmore Hall London) performing Chopin, Szpilman, Weinberg and Prokofiev; a tour of Spain with Robert Trevino and the Basque National Orchestra in February 2022 playing Bernstein Symphony No. 2 Age of Anxiety, Pittsburgh Symphony Orchestra under the baton of Manfred Honeck in March 2022 playing Rachmaninov Paganini Rhapsody, and Rachmaninov Concerto No. 2 with the Naples Philharmonic and Andrei Boreyko. 
 

During the first lockdown in March 2020 Yulianna Avdeeva started presenting weekly live streams on Facebook and YouTube playing and discussing the entire Well-Tempered Clavier Books I & II by Johann Sebastian Bach. She went live 60 times and her live streams have reached almost half a million views worldwide. 
 

With tours of Japan both in recitals and in concertos with the Orchestre National du Capitole de Toulouse, NHK Symphony, Deutsches Symphonieorchester Berlin, and Bamberg Symphony, Avdeeva has built a strong profile in the Asia-Pacific region. In 2019, Avdeeva joined the BBC Scottish Symphony and Thomas Dausgaard at the BBC Proms Japan. Avdeeva’s long-standing association with the Fryderyk Chopin Institute has also won her a prominent following in Poland as a regular with the Warsaw Philharmonic and the National Polish Radio Symphony.
 

Among her extensive orchestral collaborators are Pittsburgh Symphony with Manfred Honeck and Sir Mark Elder, Los Angeles Philharmonic with Gustavo Dudamel, Baltimore Symphony with Marin Alsop, Montreal Symphony with Kent Nagano, Rundfunk-Sinfonieorchester Berlin and conductor Marek Janowski, Royal Stockholm Philharmonic, Finnish Radio Symphony with Vasily Petrenko, Danish Radio Symphony with Lahav Shani, the London Philharmonic with Vladimir Jurowski, Czech Philharmonic with Manfred Honeck, Sinfonia Varsovia with Robert Trevino, SWR Symphonieorchester, Dresden Philharmonic, Sinfonieorchester Basel, Kremarata Baltica with Gidon Kremer, City of Birmingham Symphony, Orchestra dell’Accademia Nazionale di Santa Cecilia, Orchestre National de Lyon, Sydney and Melbourne Symphony Orchestras, Yomiuri Nippon Symphony with Sascha Goetzel, St. Petersburg Philharmonic, and Tchaikovsky Symphony Orchestra of Moscow Radio – with whom she toured Spain and Italy.

 

In addition to being a regular guest at Chopin Festivals and the Festival International de Piano La Roque d’Anthéron, recent seasons have seen Avdeeva in recital at Wigmore Hall, Tchaikovsky Concert Hall, Rheingau Musik Festival, Salzburg Festival, Alte Oper Frankfurt, Elbphilharmonie Hamburg, Boulez Saal, Lucerne Festival, Palau de la Música Catalana, and Philharmonie Essen. A dedicated chamber musician, Avdeeva has toured regularly throughout Europe with violinists Julia Fischer and Gidon Kremer, with appearances at the Tonhalle Zurich, Festspielhaus Baden-Baden, among others. 

 

Following her recording of Chopin concertos with the Orchestra of the Eighteenth Century and Frans Brüggen (2013), Avdeeva has released three solo albums on Mirare, featuring works by Bach, Mozart, Schubert, Chopin, Liszt, and Prokofiev (2014; 2016; 2017). Her Mieczyslaw Weinberg chamber music recordings with Gidon Kremer have been released on ECM Records (2017) as well as Deutsche Grammophon (2019), which has released a solo recording of Avdeeva’s as part of a milestone collection dedicated to the most notable winners of the Chopin Competition between the years 1927-2010.

 

Avdeeva began her piano studies at the age of five with Elena Ivanova at Moscow’s Gnessin Special School of Music and later studied with Scherbakov and Tropp. At the International Piano Academy Lake Como, she was taught by Naboré, Bashkirov and Fou Ts’ong. In addition to her Chopin Competition win, she is also a prize-winner at the Arthur Rubinstein Competition and the Concours de Genève.

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